Tuesday, March 11, 2014

Watch Sincerely Yours (1955) Online

Sincerely Yours (1955)Sincerely Yours (1955)iMDB Rating: 5.7
Date Released : 1 November 1955
Genre : Drama
Stars : Liberace, Joanne Dru, Dorothy Malone, Alex Nicol. Tony Warrin has it all: a popular pianist who plays any style, he has money, great clothes, a penthouse overlooking Central Park, a rich blond fiancée, a loyal brunette secretary secretly in love with him, and a date at Carnegie Hall. On concert night, disease deafens him. While medical science works on a cure, he must find other ventures. He learns lip reading and, using high-powered binoculars,..." />
Movie Quality : BRrip
Format : MKV
Size : 700 MB

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Tony Warrin has it all: a popular pianist who plays any style, he has money, great clothes, a penthouse overlooking Central Park, a rich blond fiancée, a loyal brunette secretary secretly in love with him, and a date at Carnegie Hall. On concert night, disease deafens him. While medical science works on a cure, he must find other ventures. He learns lip reading and, using high-powered binoculars, eavesdrops on conversations in the park. When he finds people in need, he plays God, interceding with help. Meanwhile, his fiancée is falling in love with another man, his secretary quits, and his doctors give him new hope. Carnegie Hall and true love may be within reach.

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Review :

He's actually not terrible, but...

...You never for a moment forget that he's Liberace, self-invented camp icon, and accepting him in another role becomes impossible. (It's like an old New York magazine word competition, where you were supposed to follow a line of actual dialog with a typical viewer's reaction. A winning entry was, "Hello, I'm Dr. Lowenstein..." "Hello, I'm Barbra Streisand.") That odd-looking face tries to emote and a couple of times nearly succeeds, and he also sings a bit (a song of his own composing, based on Chopin, with a soupy Paul Francis Webster lyric) and tap dances. The mid-'50s melodramatics, as penned by no less than Irving Wallace, are fun, as is the plush production design, and it's one of the whitest movies ever made--what, were there no people of color in San Francisco or New York at the time? The sheer otherness of it by today's standards is arresting. But it's slow and self-congratulatory, and you know where all the plot strings are headed long before they get there. Still, it's worth seeing, if only in a seeing-is-believing way.

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